Check out the Latest Articles:
UCLA Center for the Study of Women: Research unit offers opportunities to study gender and sexuality

Hidden down a dark hallway in the Public Affairs building, through a door to seemingly nowhere, lies the university’s epicenter of research on gender and sexuality. The Center for the Study of Women (CSW), an on-campus organized research unit, has no curricular function as it exists to foster an intellectual community amongst students, faculty and researchers at UCLA and beyond.

History and Research Mission Areas

Established in 1984 by five professors at UCLA, CSW was the University of California’s first organized research unit (ORU) to focus on gender and sexuality. Originally connected to the Women’s Studies Program, the two split so that Women’s Studies could become a department (made official in 2008) and CSW could turn its focus to research only.

The center serves the entire campus and works with students and faculty members regardless of their home department. “We are in touch with and engaged with faculty doing research that has to do with women, gender and sexuality in south campus, all the professional schools and the college,” said Kathleen McHugh, the center’s director. “We have a very broad reach.”

By engaging with scholars across the campus, CSW brings them together and helps them bridge their research and findings. McHugh pointed out that with such a large campus, it is easy for those who would benefit from communication about their projects to never actually meet each other. By focusing on their mission areas of women, gender and sexuality rather than the departments of those involved, the center is able to close these gaps and create new opportunities for all those involved.

Support for Faculty

The center supports faculty members by offering three different levels of grant money. The junior faculty research development grants help those who are pre-tenure and might be working to gain attention and resources on campus. By providing that early support, CSW can help younger faculty members network and gain publicity among the intellectual community.

The faculty research seed grants are designed to help the development of new projects searching for funding, while the faculty research completion grants provide financial aid to those who are nearing the end of their research and might be published in CSW publications.

Past funded faculty projects include “Investigating Tibetan Women’s Pregnancy Care Preferences in Rural China: A Collaborative Pilot Study to Promote Safe Motherhood” and “She’s One of Our Own: Incorporating Black and Latina Lesbians into U.S. Women’s History.”

Opportunities for Graduate Students

Committed to supporting graduate students, CSW offers numerous awards, grants and fellowships to those pursuing higher degrees at UCLA. In addition, the center organizes a number of professionalization workshops designed to help graduate students succeed after graduation. These include workshops on crafting effective CVs and engaging in successful interviews.

Meanwhile, one of the cornerstones of the CSW is the annual graduate student research conference, ‘Thinking Gender.’ At the 22nd annual conference on Feb. 3, 2012, 84 participants came from around the world to present their research in what Julie Childers, CSW’s assistant director, called a “comfortable” setting. “It’s terrifying to present your work for the very first time,” said Childers. “So the moderators are very understanding.” Research at this year’s conference covered everything from social networking and technology to the conditions of women and mothers in jails.

Because CSW is aimed at graduate students, the center also does its best to help them connect with speakers brought to campus through ‘brown bag lunches’ and other networking opportunities. And these possibilities can make the university more appealing to those making a decision about where to further their education. Dayo Spencer-Walters, a graduate student in the School of Public Health, said she knew she wanted to do research related to gender and her knowledge of CSW led her to come to UCLA. She worked at the center throughout her time as a student, and she presented at 2011’s ‘Thinking Gender’ conference on her research entitled “Intersections of Domestic Violence and Food Insecurity in California.”

Annie Fehrenbacher, also a graduate student from the School of Public Health, presented at this year’s conference with her research titled “The Evolution of a Gendered Politics of Trauma: Challenging the Depiction of Rape as ‘A Fate Worse than Death.” She expressed gratitude for the CSW and the support it provides for those pursuing topics related to gender and feminism. Though she never worked for the center, she did receive grant money to attend conferences around the country that she said would have otherwise been impossible to attend.

Resources for Undergraduate Students

Though the center’s focus is on faculty members and graduate students, Childers said that CSW would like to reach as many undergraduate students as possible. There are three annual awards for undergraduate students offered through the research unit, including the ‘Renaissance Award,’ given to a woman who has returned to college after a prolonged absence due to family or career obligations, and the ‘Constance Coiner Award,’ given to an upper-division student who is dedicated to working-class and feminist issues.

Travel grants are also available to those hoping to attend or present at conferences related to the centers mission areas. In addition, CSW employs many undergraduate students, most of whom receive work-study.

Speakers and the Local Community 

In order to further its goal of engaging an intellectual community, CSW offers numerous free speaker and film events throughout the year. On May 15, Kathryn Stockton, author of “The Queer Child, or Growing Sideways in the Twentieth Century,” will speak from 4 to 6 pm in Royce 314. Past speakers include Gayatri Spivak, known for her work on global and postcolonial feminism, and Patricia Hill Collins, author of “Black Feminist Thought: Knowledge, Consciousness and the Politics of Empowerment.” Most events are free and open to the public, and the video recordings of many of them become available online.

CSW is also committed to forging relationships with those outside of the university, and is currently working with the June L. Mazer Lesbian Archives to process and digitize their collections. The center brokered a relationship between the archives and the UCLA Library System, and the complete archives will ultimately be available online and at Special Collections in the Young Research Library. The main five collections are already available for the community to enjoy.

Ultimately, CSW prides itself on creating a space in which the intellectual community can engage in discussions about women, gender and sexuality. And McHugh insisted that it is important such a center exist because it has the unique ability to encourage research on these topics across departments, disciplines and communities.

This article originally ran in the Winter 2012 issue of Fem.

Life as a Transsexual Porn Star: Yasmin Lee

Yasmin Lee was dangling in midair, dressed from head to fin in mermaid apparel, wiggling around trying to look like she was swimming upstream, when her pornography shoot was cancelled. Despite the shoot’s failure, it still left it’s mark – harness burns all over her midsection. Though she had been working as a BDSM transsexual porn actress for a while, these were her first burn marks.

As a child, Yasmin Lee moved around refugee camps in war-torn Cambodia with her family. At a young age, the United States sponsored her and her family to come to America. They were so grateful to the U.S. government that by the time she reached fifth grade, she and several of her brothers were determined to pay back the country for its help. “We feel like everybody should contribute to the country some way or somehow,” said Lee. Although she does not believe in war, Lee enlisted in the U.S. Navy when she turned 18.

While in the Navy, Lee struggled with her sexual identity. “Back then, I said I was gay, because I didn’t know what my sexuality was, I just knew I was attracted to men.” With Don’t Ask, Don’t Tell still in place, Lee kept her sexuality under wraps, but somehow another recruit found out and started verbally abusing her. “He called me all kinds of derogatory names, and instead of just sitting there and taking it I decided to challenge him on it.” She reported him, but he was never punished and Lee refused to retract her statements, so she was allowed to leave with an honorable discharge.

Only 19 years old but with a much better understanding of who she was and who she wanted to be, Lee moved to Los Angeles. She found work as a drag performer and a makeup artist for The Pussycat Dolls, living as a man during the day and a woman at night. Once she turned 21, Lee decided to make the full transition, so she left her job to avoid further harassment.

Now living as a transsexual woman, Lee started working in porn, first as an assistant then later as a casting director. She was catapulted into the spotlight and onto film one day when a woman she had cast for a scene never showed up, so Lee stepped in and acted the part. When she found that this experience was both exciting and paid the bills, Lee pursued a career in porn. Although she is a sole contractor, meaning she can work for any studio she wants, Lee is frequently found at TS Seduction, which, according to its website, is “the premiere bondage sex destination where straight men experience hot tgirls and TS cock for the first time.” After only seven years working in porn, Lee has appeared in 86 films.

Porn is “really about pushing your limits,” explained Lee. As her popularity has grown, she has also encountered some of society’s limits. “I was actually the first transsexual to be released in Japan, and there were so many restrictions. There are dominant and submissive roles, and I’m more of a dominant … but they weren’t allowed to show the guy being submissive.”

For her work in transsexual porn, Lee has twice been nominated for the Adult Video News, the “Oscars of porn,” Transsexual Performer of the Year award. She is also the first transsexual woman to be nominated for AVN’s Breakout Star into mainstream.

Lee found mainstream fame for her role as a succubus, a female demon who has sex with sleeping men, in the 2011 film “Red Ice.” Her role in this film caught the attention of the casting director for “The Hangover Part II,” who got in touch with her and asked her to audition. “I realized they were flying people in from all over the world to audition … so I didn’t really think I was gonna get it,” reminisced Lee. Ultimately, Lee found out she landed the role of Kimmy, a Thai “ladyboy” who has sex with Stu (played by Ed Helms). Although the actual sex scene was not shown, she did show full-frontal nudity during the film. Lee made film history by being the first transsexual woman to show full-frontal nudity in theater.

Lee started work on the set soon after being cast and it was such an open and welcoming environment that it felt like home. “I went in there being professional and expecting the same from them, and they all were. They were the sweetest, all the actors I was hanging out with. I was hanging out with everybody, and they were sweet and open-minded and nice,” she said.

Many transsexual activists have criticized the film for Lee’s role as a Thai sex worker, accusing the film of portraying transsexuals in an unflattering light. Nonetheless, Lee believes her role was beneficial. “Any exposure at all is a platform for conversation. [The film] definitely brought a lot of light to the transsexual community, not the 100 percent positive light that we all hope for in an Oprah interview, but it reached millions and millions of people that now either know about transsexuals or questions what’s going on and ask,” said Lee. “That’s the platform you want to create to educate people.”

This article originally ran in the Winter 2012 issue of Fem. Image courtesy of Yasmin Lee.

This Class Could Save Your Life

Twenty students shift anxiously as they take a breath and prepare to be choked. Their partners tighten their arms around their necks and pull, waiting to feel the tap letting them know that their partner cannot take it any more and is ready to breath again. This exercise is a part of Bruin Self Defense, [...]

Peace Over Violence: Los Angeles organization works to help those affected by violence

Intervention. Prevention. Education. Advocacy. The services offered by the Los Angeles agency Peace Over Violence (POV) are changing lives for the better every day. Patti Giggans, the agency’s executive director, calls Peace Over Violence “a highly developed sexual assault, domestic violence and youth violence prevention center.” Giggans, who started a women’s karate school in the [...]

#RapeEndsHere: Three Weeks in January’s event looks at the narratives of rape

Victim. Survivor. Accuser. Think about the words used to talk about those who experience sexual assault. Think about the news reporter who stands outside the hospital, telling the audience that “The victim is ok.” Think about which cases even make it to the 7 o’clock news report. On Jan. 27, 2012, I was invited to [...]

Editor’s Note (Winter 2012)

I’m embarrassed to admit that, every year, I’ve approached March’s designation as Women’s History Month with an eye roll. In the past, it’s meant listening to the stories that most of us already know – Joan of Arc was burned at the stake for heresy after leading the French army against the British, Madame Curie [...]